 |
 |
 |
...when he fits through.
Once closed, there is a terrific crash and a roar of pain. The MONSTER
is stuck behind the wall. LARRY looks about...
SFX: Train horn
Sudden realization, he looks left. |
| SHOT 92 cont. |
1.5s |
|
| ...and sees the SIGNALS
flashing and ringing.
DROPPED |
| SHOT 93 |
|
|
| A: He
frowns at it, then turns to face us.
B: Sudden realisation.
C: Sudden shock: |
| SHOT 94 |
3.5s |
|
 |
 |
 |
| There's a TRAIN coming. (his
POV) It sounds its horn. |
| SHOT 95 |
2s |
|
| Look of horror: LARRY
leans pver and tries to start car, which refuses to start.
DROPPED |
| SHOT 96 |
1.5s |
|
| Inside tunnel: TRAIN
lumbers past, making a lot of noise. It sounds its horn.
DROPPED |
| SHOT 97 |
2s |
|
I spent days and days agonising on how to cover the train crash.
I recall spending an entire long weekend at our holiday house doing nothing
but pace around in circles trying to make some insane montage with about twenty
odd seperate shots in it work. I had grandiose plans of shooting from every
conceivable angle and heroically fusing it all together to dazzle the world.
In the end, I came to my senses and chopped it right down to one or two major
shots: shot 99 bascially becoming most of the sequence. Shot 93 was made part
of the chase, and to make it a bit more interesting I had L crash through a
closing railway barrier. Actually, shot 93 is actually incorrect on this board:
the POV shot it should be facing screen right to screen left, not the way its
drawn.
Last modified Thu, May 27 2004 by Lindsay
Fleay
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